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20121101
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rad. movement, or migration both within mexico and north tohe u.s. we explore a major and unexpected source of migras caedw re bskf e usionofaquies can change the rate of flow, or if a new u.s. border policy is having an unintended consequence. ( helicopter whirring ) narrator: every day, thousands of mexicans cross the border illegally into the united states. ofte those hopes are arrested manyre at the border. man: ahora lista pont la mano en frente... narrator: the u.s. i.n.s., or immigration and naturalization service, records each apprehension on standard forms, including one entry with hidden lue: it washe migrants' home towns inexico. that's whabringseograpr chard jones to the i.n. it washe migrants' home towns with a novel reseah plan. jones knows that ecomic conditions vary greatly om region to region in mexico. he suspects that some places drive ou- or "push"-- many more migrants to the u.s. than others. hehis investigation beginses drily90s- or "push"-- aris home inanoniotes. hehis ijones lieves beginses many secrets are stored in i.n.s. files like tse. can theyeveal where
caedollow re weskf e usionof s can change the rate of flow, or if a new u.s. border policy is having an unintendeconsequence. ( helicopter whirring ) narrator: every day, thousands of mexicans cross the border illegally into the united states. often, those hopes are arrested manyre at the border.o man: ahora lista po la mano frente... narrator the u.s. i.n.s., or immigration and naturalization service, records each apprehension on standard forms, including one entrywith hid: it was the migrants' home towns inexico. that's whabringseograpr richard jones to the i.n. with a novel reseah plan. jones knows that economic conditions vary greatly om region to region in mexico. he suspects that some places drive ou- or "push"-- many more migrants to the u.s. than others. hehis investigation beginses driin tly90s "push"-- aris hom in sanoniotes. jones lieves many secrets are stored in i.n.s. files like tse. can they reveal where most migrants come om? can the answers help both countries keep more ople at home? cjones sampless every tenth record, writing down the area of origin within mexico.
and difficult process. we will see how one geographer is using global positioning system-- or gps technology-- as one tool to study how the land resources in south africa are being distributed and utilized. ( choral group singing in native language ) in ail 199 south ricans particited ( cin their nation'sng first democratic elections) and chose nelson mandela as their president. one of the greatest challenges facing the new post-apartheid regime was toive the jority black population access to the landrom which they had been forcibly removed. they just came in and tell us that we have to move out. we said, "we can't move out, because this land is... is ours. this land was bought by our grandfathers in 1905." but they just moved us, just on account of jlous. apartheid... apartheid wasted our time. narrator: under apartheid, south africa's black majority-- almost 90% of the population-- was moved onto less than 15% of the land. these so-called homelands were often marginal areas with little inand minimal. the white minority controlled were85% of the land,areas including the richest, most produc
the questions for tonight's debate. the results of the candidate survey are used by the san francisco public press to create a non-partisan voter guide that summarizes where the candidates stand on the issue and will be available on the website soon. meanwhile hvnnjp. preview you may pick up a copy of the current issue of the san francisco public press at the table in the back of the room, which has a fold out summarizing the candidates' position. a little bit about the format of this evening's event. each question will be directed to three candidates or in some cases two. each of these candidates will have one minute to respond. following the named candidates' responses, other candidates may elect to use one of their three discretionary time cards, which they have all been provided. to speak to the question for one minute as well. we ask that after the candidate uses the card, they deposit the card in the basket in front of them, so each candidate, in fact, uses the card on only three occasions. the timekeeper in the first row will hold up a yellow card to signify to the speaking candidat
with los angeles in the u.s. and mexico city, are defined by geographers for their enormous size. tountryazil, the mega-city ofaoau has joined the ranks of these world-famousetpolises, a population of 1milliopeople at the startof t 21st century. sao paulo is a city of immigras, at the startof t 21st century. who built it neighborhood by neighborhood. the first immigrants to arrive were portuguese explorers and jesuit missionaries, wlanguage a religio 1554 ans bureal growth did not begin until the 19th ctury. between 1880 and the 1950s, more tn ve million italians came to sao paulo, atacted by jobs in a booming coffee industry. along with these agricultural workers came small business owners and craftsmen who established an italian enclave cled bixiga on the outskirts othe city. , geographer fisco scarlatost nestudies immigration patterns, assimilation anthe expansion of sao paulo. r him,iss t oncamic. he was an artisan anhe. myaterl grandfher came at the beginning ofhe century. narrator e factory is sti inthan ever.y day,bigger l bias sao pau grew around it,ed and rthe neighbor
process of simplification." he stated, "little by little, i have managed to reach a point at which i use no more than a small number of forms and colors." this process found a culminating expression in his eightoot-high painting "femme," miro entered the project with much enthusim, stating, "i'll go into this and fight it through with everything i have." over many months, the tapestry took shape in his imagination. finally, in 1976 it was set down rapidly as a maquette. in the ancient catalan city of tarragona, joan miro meets with young master weaver josep royo to discuss the transformation of his painting into a 10-meter-high tapestry. studying a photograph of the maquette, they consider how best to translate miro's art into a heavily- textured weaving, which would capture the spirit of his concept. royo has an enormous task before him. in this converted flour mill in tarragona, many months of preparation are needed before the weaving itself can begin. nearly four miles of heavy cotton line is measured, stretched and chained for use as the tapestry's vertical warp. royo has developed a
Search Results 0 to 5 of about 6

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